{"id":49463,"date":"2025-12-12T09:00:00","date_gmt":"2025-12-12T08:00:00","guid":{"rendered":"https:\/\/wosonst.eu\/die-papierpoeten\/"},"modified":"2025-12-17T15:52:21","modified_gmt":"2025-12-17T14:52:21","slug":"paper-poets","status":"publish","type":"post","link":"https:\/\/wosonst.eu\/en\/paper-poets\/","title":{"rendered":"Paper poets"},"content":{"rendered":"\n

Speyer was a hub for printing in Germany in the 1960s and 1970s. This is reflected in the Winkeldruckerey printing house in Flachsgasse road, where Johannes Doerr and Remo Krembel cooperate with artists from the region and from throughout the world.<\/strong><\/p>\n\n\n\n

The grey sky hangs heavy over the roaring sea. Klaus Raasch has just finished carving the rolling waves into his woodcut for his Seest\u00fcck<\/em> (seascape) picture using a grinder. Now the artist carefully adjusts a piece of paper. Then the old press sweeps across the sheet with a swing. And there the spray is foaming in a greyish blue\u2014at least on the sheet of paper. Klaus looks at the result with satisfaction. Two hand presses and a paper press, plus a Heidelberg printing machine, are at his disposal at the Winkeldruckerey printing house in Speyer this weekend. He does have his own machines in his beautiful studio in Grethem-B\u00fcchten in Lower Saxony, but \u201cwhat I miss there is the exchange.\u201d<\/p>\n\n\n\n

\"\"<\/a>
Artist Klaus Raasch uses a grinder to carve rolling waves into his Seest\u00fcck<\/em> (seascape) woodcut.<\/figcaption><\/figure>\n\n\n\n

That\u2019s what printer Remo Krembel and typesetter Johannes Doerr are all about. They have been running the studio at the Kulturhof Flachsgasse complex since 2020\u2014on a voluntary basis. Everybody is welcome to talk shop with them about techniques and terminology, bring or design their own linocuts, and look over the shoulders of professional artists from all over Europe. Countless type cases hold the treasure of an old craft tradition. And even though the Winkeldruckerey\u2019s main inventory comes from a now defunct company in Speyer, pieces from the professional lives of the two retired masters can be found everywhere as well, such as the huge variety of papers and colours. But you quickly understand that this place is not just about precision craftsmanship when you enter the bright workrooms in the heart of Speyer, right next to the Kunstverein art club, the St\u00e4dtische Galerie art gallery and the ZimmerTheater theatre, just a few minutes\u2019 walk from Speyer Cathedral<\/a>. It\u2019s about curiosity about different techniques and the desire to experiment. \u201cWe don\u2019t give courses,\u201d says Remo. The studio is intended rather as an open space to experiment and implement ideas, which opens once a week, and also for events and printing weekends like the one with Klaus.<\/p>\n\n\n\n

\"Auf<\/a>
In the bright workrooms in the heart of Speyer, right next to the Kunstverein art club, the St\u00e4dtische Galerie art gallery and the ZimmerTheater theatre, it\u2019s not just about precision craftsmanship.<\/figcaption><\/figure>\n\n\n\n

\u201c3,800 letters in an hour without mistakes\u2014that used to be our benchmark in training,\u201d recalls Johannes with a smile. The white-haired man with the characteristic moustache still masters the precision of yesteryear today. Just recently, he typeset a Hilde Domin poem for the artist Urte von Maltzahn-Lietz from Leipzig, for which she created the design. Tiny rows of words, close together. While Remo specialises in printing, Johannes\u2019 m\u00e9tier is typesetting. He learned the profession of typesetter at Zechnersche Buchdruckerei in Speyer. After completing his master\u2019s examination, he spent many years there typesetting specialist books for the chemical industry as well as church newspapers or catalogues for Neckermann and Ikea. He was also responsible for high-quality encyclopaedias such as Brockhaus, which was produced in Speyer for a long time after the Bibliographic Institute moved from Leipzig.<\/p>\n\n\n\n\n\n\n\n

It is no coincidence that the Winkeldruckerey, founded in 2004 by headmaster and writer Artur Sch\u00fctt (1932\u20132024), is located in the cathedral city. Peter Drach (1455\u20131504) had already run a flourishing book printing workshop here in the 15th<\/sup> century; shortly after Johannes Gutenberg invented the technology. Speyer became an important printing location in Europe, together with Mainz, Strasbourg and Venice. Speyer\u2019s book printing industry then experienced a heyday in the middle of the 20th<\/sup> century.<\/p>\n\n\n\n

\n

There were around 20 companies here in the 1960s and 1970s, some of them being very large ones<\/p>\nRemo Krembel<\/cite><\/blockquote>\n\n\n\n

Remo Krembel began his career as a printer at Klambt publisher\u2019s\u2014at a time when the company was printing magazines in fantastic print runs of up to a million copies. From 1977 to 1981, Remo set up a schoolbook printing plant in Togo for the German Development Service, and it still exists today. Back in Speyer, he started his own business. \u201cWe worked together for a long time and frequently because we always appreciated each other as colleagues and knew well what the other was good at,\u201d says Remo about Johannes, even though \u201cwe always worked at two different locations until our retirement.\u201d<\/p>\n\n\n\n

\"\"<\/a>
Johannes Doerr and Remo Krembel, depicted in print.<\/figcaption><\/figure>\n\n\n\n

Today, the two not only spend a lot of time together at the workshop, but also on the road. When spare parts for the old machines need to be organised. Or when the remaining stock of a now defunct company needs to be sorted through. Or when another book printing art fair is coming up in Hamburg, organised by artist Klaus Raasch, who has produced a whole series of dazzling seascapes <\/em>on this Sunday morning. Pictures show who was the last guest here: Nicole Bellaire from Landau and Stefan Kindel from Maikammer. Requests from the art scene are constantly coming in. Many artists associated with the HGB Academy of Fine Arts Leipzig have already been here\u2014at one of the most interesting German locations for printmaking. Three to four artists are invited each year. The city then covers their board and lodging.<\/p>\n\n\n\n

\"\"<\/a>
Artist G\u00f6tz Gramlich has created a picture from objects that are actually used to keep the machines in place.<\/figcaption><\/figure>\n\n\n\n

Do the two masters actually see themselves as artists? Remo smiles when asked this question. In response, he shows us the wonderful Christmas cards that the two have once again designed for the city administration\u2014a linocut in bold colours depicting the towers of the Memorial Church in Speyer. But then they wave it off. \u201cOur joy is more in accompanying the work of artists,\u201d says Remo. Graphic designer G\u00f6tz Gramlich from Heidelberg, for example, who organises the renowned 100 beste Plakate <\/em>(100 best posters) competition every year, initially came with no idea to work on at the Winkeldruckerey. \u201cBut then he suddenly found the objects that are used to keep the machines in place so interesting that he created a picture out of them,\u201d recalls Remo. The result was a graphic work reminiscent of a colourful relief\u2014a chance discovery, arranged with the help of the knowledge of the two master printers and the eye of an artist. The craft of working professionally with type and colour is one thing. The other is a mixture of chance and creative ideas. Quite simply: art.<\/p>\n\n\n\n

\n\n\n\n

https:\/\/www.speyer.de\/de\/kultur\/bildende-kunst\/winkeldruckerey-und-typographisches-kabinett<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Speyer was a hub for printing in Germany in the 1960s and 1970s. This is reflected in the Winkeldruckerey printing house in Flachsgasse road, where Johannes Doerr and Remo Krembel cooperate with artists from the region and from throughout the world. The grey sky hangs heavy over the roaring sea. Klaus Raasch has just finished …<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60,2492],"tags":[106,326,2493,2494,2495],"class_list":["post-49463","post","type-post","status-publish","format-standard","hentry","category-culture","category-speyer-en","tag-metropolitan-region-rhine-neckar","tag-speyer-en","tag-print","tag-johannes-doerr","tag-remo-krembel"],"acf":[],"yoast_head":"\nPaper poets - wo sonst<\/title>\n<meta name=\"description\" content=\"At the Winkeldruckerey in Speyer, the traditional craft of letterpress printing is being reimagined by Johannes Doerr and Remo Krembel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wosonst.eu\/en\/paper-poets\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paper poets - 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