{"id":47419,"date":"2025-06-12T14:01:00","date_gmt":"2025-06-12T12:01:00","guid":{"rendered":"https:\/\/wosonst.eu\/im-materialberg-der-maler\/"},"modified":"2025-08-20T16:39:00","modified_gmt":"2025-08-20T14:39:00","slug":"mannheim-artists-estates","status":"publish","type":"post","link":"https:\/\/wosonst.eu\/en\/mannheim-artists-estates\/","title":{"rendered":"Among heaps of artists\u2019 materials"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><strong>The Mannheim artists\u2019 estates have already saved a good many artworks from the landfill. And they have been protecting the cultural and historical heritage of Mannheim with tremendous commitment since 2005. <\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Paper\u2014stacked, creased, folded and crumpled. Whether drawings, sketches, collages or photographs. Paper is everywhere. In Norbert N\u00fcssle\u2019s studio in Mannheim\u2019s city centre, there were endless amounts of it\u2014and somehow wherever he went, too. At the market, on Alter Messplatz and Paradeplatz, he collected advertisements, newspapers and magazines, Polaroids, cigarette packets, napkins and wallpaper remnants and made collages from them, mixing them with stones, rubble and sand\u2014essentially whatever he found lying around on the ground. At the same time, his hometown was changing so rapidly that Norbert N\u00fcssle almost couldn\u2019t keep pace. Almost instantly when the next vacant space was filled with buildings, he started to draw, to glue and to document the things going on around him.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"BorlabsCookie _brlbs-cb-youtube\"><div class=\"_brlbs-content-blocker\"> <div class=\"_brlbs-embed _brlbs-video-youtube\"> <img decoding=\"async\" class=\"_brlbs-thumbnail\" src=\"https:\/\/wosonst.eu\/wp-content\/plugins\/borlabs-cookie\/assets\/images\/cb-no-thumbnail.png\" alt=\"YouTube\"> <div class=\"_brlbs-caption\"> <p>Mit dem Laden des Videos akzeptieren Sie die Datenschutzerkl\u00e4rung von YouTube.<br><a href=\"https:\/\/policies.google.com\/privacy\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Mehr erfahren<\/a><\/p> <p><a class=\"_brlbs-btn _brlbs-icon-play-white\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Video laden<\/a><\/p> <p><label><input type=\"checkbox\" name=\"unblockAll\" value=\"1\" checked> <small>YouTube immer entsperren<\/small><\/label><\/p> <\/div> <\/div> <\/div><div class=\"borlabs-hide\" data-borlabs-cookie-type=\"content-blocker\" data-borlabs-cookie-id=\"youtube\"><script type=\"text\/template\">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<\/script><\/div><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Even today, you can still see in his impressive collages where exactly Norbert N\u00fcssle (1932\u20132012) stood. What he saw, what he was concerned with, and yes, maybe even what he felt. \u201c<em>Petites choses<\/em>\u201d, or little things, he wrote in French on one of his boxes with materials. And exactly these little things amongst his huge pool of finds are what constituted his body of work. In a sense, it is Mannheim\u2019s post-war building and city history that is stored in the collection of artists\u2019 estates housed in a former power station in the Rheinau area\u2014together with his work. Neatly packed, stowed away in boxes, hanging shelves, graphics cabinets and cartons, that is. But as soon as you open one of them, you realise\u2014this art still is wonderfully chaotic and incredibly carnal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/015_2025-05-28_kuenstlernachlaesse_web__sw.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/015_2025-05-28_kuenstlernachlaesse_web__sw.jpg\" alt=\"\" class=\"wp-image-46759\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/015_2025-05-28_kuenstlernachlaesse_web__sw.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/015_2025-05-28_kuenstlernachlaesse_web__sw-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/015_2025-05-28_kuenstlernachlaesse_web__sw-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption class=\"wp-element-caption\">Silvia K\u00f6hler is the chairperson of the Mannheim artists\u2019 estates.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Would something like this really be gone someday? \u201cYes and no,\u201d Silvia K\u00f6hler says, chairperson of the Mannheim artists\u2019 estates\u2014since Norbert N\u00fcssle\u2019s family was quite aware of the value of his works. But where to store this abundance of \u201clittle things\u201d and in some cases room-height collages? Already in his lifetime, Norbert N\u00fcssle established that the artists\u2019 estates should take his works\u2014thus a catalogue of works was set up. But it isn\u2019t always like that. At the end of an artist\u2019s life, there is often a large, yet sometimes multitudinous work. And with it, the questions arise whether something actually is art or if it can be disposed of\u2014and what by all means has to be preserved. This is exactly the point where the estates\u2019 foundation comes in. \u201cMost museums procure only the most important works of an oeuvre and reject the rest,\u201d Sophia Denk says\u2014who, as art director, together with Silvia K\u00f6hler and numerous volunteers, not only manages the estates, but also records, documents, processes, classifies, publishes and exhibits them. \u201cTo us it is vital that there is always a link to Mannheim,\u201d K\u00f6hler says.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">Would something like this really be gone someday? \u201cYes and no,\u201d Silvia K\u00f6hler says, chairperson of the Mannheim artists\u2019 estates\u2014since Norbert N\u00fcssle\u2019s family was quite aware of the value of his works. But where to store this abundance of \u201clittle things\u201d and in some cases room-height collages? Already in his lifetime, Norbert N\u00fcssle established that the artists\u2019 estates should take his works\u2014thus a catalogue of works was set up. But it isn\u2019t always like that. At the end of an artist\u2019s life, there is often a large, yet sometimes multitudinous work. And with it, the questions arise whether something actually is art or if it can be disposed of\u2014and what by all means has to be preserved. This is exactly the point where the estates\u2019 foundation comes in. \u201cMost museums procure only the most important works of an oeuvre and reject the rest,\u201d Sophia Denk says\u2014who, as art director, together with Silvia K\u00f6hler and numerous volunteers, not only manages the estates, but also records, documents, processes, classifies, publishes and exhibits them. \u201cTo us it is vital that there is always a link to Mannheim,\u201d K\u00f6hler says.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">To us it is vital that there is always a link to Mannheim<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Silvia K\u00f6hler<\/em> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With the help of Jochen Kronj\u00e4ger, then vice-director of the Kunsthalle Mannheim, they could be rescued, however. Today they constitute the basis of the foundation\u2019s collection, which by now comprises of 6,000 pieces of art by 17 artists\u2014with around 1,000 by N\u00fcssle alone. Most of them are graphic works and paintings and all of them are telling their very unique life stories. For instance, that of Ilana Shenhav (1937\u20131986) who learned to paint in Theresienstadt. Or that of the experimental artist Franz Sch\u00f6mbs (1909\u20131976) whose films are housed in the archives of the Deutsches Filminstitut und Filmmuseum in Frankfurt, while his paper works and oil paintings belong to the Mannheim-based foundation. And one thing is true for Sch\u00f6mbs as well as for so many artists: his strong connection to a very special place in Mannheim\u2014the observatory.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/034_2025-05-28_kuenstlernachlaesse_web__sw.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/034_2025-05-28_kuenstlernachlaesse_web__sw.jpg\" alt=\"Ein besonderer Ort f\u00fcr die Mannheimer K\u00fcnstlernachl\u00e4sse ist die Alte Sternwarte. Hier auf einem Plakat zu sehen. Foto: Sebastian Weindel\" class=\"wp-image-46797\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/034_2025-05-28_kuenstlernachlaesse_web__sw.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/034_2025-05-28_kuenstlernachlaesse_web__sw-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/034_2025-05-28_kuenstlernachlaesse_web__sw-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption class=\"wp-element-caption\">The old observatory is a special place for the Mannheim artists\u2019 estates. Here, you can see it on the poster.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The building from the era of the prince-elector had served as a studio building for decades, but today it is taken care of by an action group to which the artists\u2019 estates belong. One of the responsibilities of the foundation is the maintenance of the studio of Walter Stallwitz who painted the portrait of politicians, such as Willy Brandt, but also of other well-known persons from Mannheim, and who after the experiences of world war II dedicated himself to foster social cohesion and fight against social injustice. High above the roofs of the town, an unparalleled time capsule has been preserved, which was made accessible by the foundation. It seems almost as if the painter, who died in 2022, had left the room just for a minute. \u201cFor us, this is about making the time of a particular artist comprehensible and to show what mattered to him or her,\u201d Sophia Denk says, who wrote her master\u2019s thesis on Ute Petry (1927\u20132009), one of the foundation\u2019s artists. \u201cRegional art history hardly played a role in my studies. Yet, for me it\u2019s exactly this groundwork, doing my research with the originals that appeals to me,\u201d the young art historian, who was born in 1997, explains. In many conversations with friends and family members, she traced the painter\u2019s life and medical history, but also her courage to see art as a profession and vocation. Standing between hanging racks and boxes in Mannheim\u2019s Rheinau area, Ute Petry glances confidently into the camera in a photo from the 1950s. In between, shells and toy tanks peer out from the shelves. Some discoveries can also be made here: \u201cWe were most of all familiar with Will Sohl\u2019s idyllic watercolours of Sylt and the Mediterranean,\u201d Silvia K\u00f6hler recounts. \u201cIt was much later that we discovered how intensively he also worked together with the <a href=\"https:\/\/wosonst.eu\/en\/diy-construction-kit-church\/\">architect Otto Bartning<\/a> on art-in-architecture projects.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2025\/06\/IMG_7383-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2025\/06\/IMG_7383-768x1024.jpg\" alt=\"\" class=\"wp-image-46924\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2025\/06\/IMG_7383-768x1024.jpg 768w, https:\/\/wosonst.eu\/wp-content\/uploads\/2025\/06\/IMG_7383-225x300.jpg 225w, https:\/\/wosonst.eu\/wp-content\/uploads\/2025\/06\/IMG_7383-1152x1536.jpg 1152w, https:\/\/wosonst.eu\/wp-content\/uploads\/2025\/06\/IMG_7383-1536x2048.jpg 1536w, https:\/\/wosonst.eu\/wp-content\/uploads\/2025\/06\/IMG_7383-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><figcaption class=\"wp-element-caption\">A photo of the artist Ute Petry from the 1950s. Photo: Annika Wind<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Only a few steps away from the rather functional depot rooms of the foundation, behind a plain iron door, there are two exhibition areas with large workshop windows. Events and exhibitions of the artists\u2019 estates take place here\u2014even if they actually go on tour quite often. \u201cWe deliberately go to different places, because this allows us to constantly reach different people,\u201d Silvia K\u00f6hler explains, who for many years has been the head (and heart) of the foundation. After training as a bookseller, she studied German, history and sociology in Mannheim, worked as a technical editor in Darmstadt and then as a consultant and project manager at SAP. In 2008, the foundation of the estates became something like an affair of her heart, so that she has untiringly been working on promoting it ever since\u2014on a voluntary basis. Today, she is working on the project together with Sophia Denk, Susanne Kaeppele and Christine Schumann, along with many other volunteers.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/067_2025-05-28_kuenstlernachlaesse_web__sw.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/067_2025-05-28_kuenstlernachlaesse_web__sw.jpg\" alt=\"\" class=\"wp-image-46863\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/067_2025-05-28_kuenstlernachlaesse_web__sw.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/067_2025-05-28_kuenstlernachlaesse_web__sw-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2015\/01\/067_2025-05-28_kuenstlernachlaesse_web__sw-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Why does she do that? \u201cI am fascinated by how much the artists as seismographs of their time reacted and to what,\u201d Silvia K\u00f6hler states. After the war and the holocaust were over, many of these artists committed themselves to enhancing international understanding, peace, social cohesion and equality, but also critically accompanied urban development, as she explains. Peter Schnatz chose skin as the theme of his life\u2014that of people and that of the Earth. In one movie, he boldly cuts into the screen, just to sew it back together again in the next scene. In his portraits, Edgar Schmandt took a deep look into the politics and the psyche of his time. And Norbert N\u00fcssle? It would be interesting to see at what places we could find him in Mannheim\u2019s city centre today. With scissors, paper and a tube of glue in hand, that is for sure.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.kuenstlernachlaesse-mannheim.de\">https:\/\/www.kuenstlernachlaesse-mannheim.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Mannheim artists\u2019 estates have already saved a good many artworks from the landfill. And they have been protecting the cultural and historical heritage of Mannheim with tremendous commitment since 2005. Paper\u2014stacked, creased, folded and crumpled. Whether drawings, sketches, collages or photographs. Paper is everywhere. In Norbert N\u00fcssle\u2019s studio in Mannheim\u2019s city centre, there were &#8230;<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[55,60],"tags":[],"class_list":["post-47419","post","type-post","status-publish","format-standard","hentry","category-general","category-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Among heaps of artists\u2019 materials - wo sonst<\/title>\n<meta name=\"description\" content=\"The Mannheim artists\u2019 estates save artworks from oblivion and so protecting the cultural and historical heritage of Mannheim\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wosonst.eu\/en\/mannheim-artists-estates\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Among heaps of artists\u2019 materials - 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