{"id":4729,"date":"2017-11-13T09:45:08","date_gmt":"2017-11-13T07:45:08","guid":{"rendered":"https:\/\/wosonst.eu\/en\/?p=4729"},"modified":"2018-01-18T14:53:27","modified_gmt":"2018-01-18T13:53:27","slug":"from-humble-beginnings-come-great-painters","status":"publish","type":"post","link":"https:\/\/wosonst.eu\/en\/from-humble-beginnings-come-great-painters\/","title":{"rendered":"From humble beginnings come great painters"},"content":{"rendered":"

With regard to art history, there is nothing that connects Anselm Feuerbach with Hans Purrmann; with regard to their biographies, however, they have much in common. Both were born in Speyer. Its citizens have ensured that their impressive childhood homes can be visited until today. \u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

This young man will make (art) history. But right now, he is standing on a ladder painting a signboard for a tobacco shop. Hans Purrmann hadn\u2019t received any news from Berlin, so he had travelled in frustration to Speyer to his parents in order to help them with their house-painting business. He had handed in four paintings at the \u201cBerlin Secession\u201d but hadn\u2019t received an answer\u2014until the very morning in 1905 which he later recalls in his recordings: \u201cIt was a newspaper agent known to be a bit of a character who shouted at me: \u2018Come down here! There is a huge article about you in the Frankfurter Zeitung<\/em>.\u201d So, it was from this newspaper that Purrmann learned that the artists\u2019 association had accepted him; that he was a \u201cnew talent.\u201d The signboard from back then might be long gone\u2014another one, though, remains: that of his father of 14 Kleine Greifengasse, saying \u201cMaler- und T\u00fcncher Gesch\u00e4ft\u201d (painter and whitewasher\u2019s company). It still hangs over the courtyard entrance to the craftsman\u2019s house. It has recently even been renovated.<\/p>\n

\"\"<\/a>

In the Purrmann House in Speyer you still can experience the atmosphere of the old artisan house authentically.<\/p><\/div>\n

 <\/p>\n

The great painter of classic modernity had been brought up in modest conditions\u2014as is the case with Anselm Feuerbach, who died in 1880, which is the exact same year in which Purrmann was born. With regard to art history, there might be no connection whatsoever between the two, but with regard to their biographies, the connection definitely is there. Both first saw the light of day in Speyer, their parents\u2019 houses are within just a few minutes walking distance. And both painters were at odds with the place of their childhood. \u201cMy birth in Speyer has to be considered as a misfortune for me,\u201d Feuerbach (1829-1880), wrote, the father of whom, Joseph Anselm, taught at the \u201ck\u00f6niglich bayerisches Gymnasium\u201d (royal Bavarian grammar school). The city seemed very provincial to him. And Hans Purrmann, too, had distanced himself from Speyer for a long time. In 1932, he had still made a wall-painting for the Town Hall\u2019s council chamber, which disappeared in 1933\u2014behind a swastika flag. After that he moved first to Florence to the Villa Romana, later to France and then to Switzerland, where he died in 1966.<\/p>\n

<\/p>\n

Feuerbach, who is considered a \u201cGerman-Roman,\u201d but does not fit into a specific style category, spent only seven years in Speyer. It is due to the citizens of Speyer that his birthplace still exists. Back in the 1960s, the modest building of 9 Allerheiligenstra\u00dfe was supposed to be demolished. An association, however, fought for it to be turned into a museum. In a way, this has been the case until today. Even though the city takes care of the renovation and repair works\u2014the rest still has to be raised by an association and its 200 members. Just recently, they collected EUR 20,000 to put in a new kitchen, as one room is let and serves as a wine bar. \u201cThat makes it possible for us to keep the museum open not only on Saturdays and Sundays, but also during the week,\u201d Mira Hofmann, who has been the curator of the house since 2002, says. On the ground floor, she presents special exhibitions, like the one with works by Anna Maria Tekampe, an award-winner of the Markus Klammer foundation. And time and again, the art historian makes little miracles happen: acquisitions\u2014like the picture of an old woman bought by the association from private owners some time ago. In 2014, the meanwhile aged former director of the Landesmuseum, the state museum in Mainz, Berthold Roland donated an early work of Feuerbach. It is so special because: \u201cHe purchased the painting especially for us,\u201d Hofmann says. This fact alone is cause enough for its significance for the collection. But there is yet another reason: It shows Berthe Am\u00e9re depicted unusually permissively\u2014displaying a bare shoulder.<\/p>\n

\"\"<\/a>

More than 30 original paintings and drawings by Anselm Feuerbach are exhibited in the Feuerbach House.<\/p><\/div>\n

 <\/p>\n

The Purrmann House, too, already received donations from the foundation \u201cIke und Berthold-Roland-Stiftung;\u201d in addition to a still life and the \u201cNewspaper reader in the Cathedral garden\u201d one of his more unusual works: a view of the industrial port of Duisburg in 1903, one of Purrmann\u2019s gloomier pictures from the world of industry and labour. By now, the house owns the largest public collection of paintings by Purrmann and his wife Mathilde Vollmoeller-Purrmann (1876-1943). The art historian Maria Leitmeyer has been its manager since the beginning of 2013\u2014on a voluntary basis, just like Mira Hofmann. This makes her commitment in curating the most beautiful and focused exhibitions even more striking\u2014like the one starting 26 November on the occasion of two new acquisitions: Elisabeth Albig, the niece of the artist couple, bequeathed two paintings, which were created in Purrmann\u2019s family home, to the museum. Surrounding these two, you can see further portraits of family members and other works from Purrmann\u2019s early work phase. In the permanent exhibition, 70 paintings, drawings, graphics, water colours and sculptures outline Purrmann\u2019s development from Impressionism to Cubism.<\/p>\n

\"\"<\/a>

Art historian and director of the Purrmann House: Maria Leitmeyer.<\/p><\/div>\n

 <\/p>\n

In the Feuerbach House, the collection has been arranged in an exemplary manner as well. There are 40 exhibits on the first floor: drawings that show both the talent and, at the same time, the clumsiness of the 14-year-old artist. Then there is one of his famous \u201cNanna\u201d portraits, which he made of his lover Anna Risi in Rome. Moreover, there are water colour paintings, gouaches, letters, Feuerbach\u2019s card and death mask. There are no pieces of furniture shown that the family once owned\u2014the wardrobes on display actually are from the 19th<\/sup> century, but were added by the Historical Museum of the Palatinate. The garden was created in a way that was typical for gardens during the Biedermeier era, but not necessarily as the Feuerbach family knew it. \u201cYou should add some clotheslines in your imagination, since it was a four-person family,\u201d Hofmann says laughing. The floor made of terracotta on the ground floor is original, as are the staircase and the front door, where little Anselm must once have dashed through\u2014before he received his place in art history as a \u201ctrue artistic soul.\u201d<\/p>\n

\n

Feuerbach-Haus<\/a><\/p>\n

Purrmann-Haus<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

With regard to art history, there is nothing that connects Anselm Feuerbach with Hans Purrmann; with regard to their biographies, however, they have much in common. Both were born in Speyer. Its citizens have ensured that their impressive childhood homes can be visited until today. \u00a0 \u00a0 This young man will make (art) history. But …<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[27,80,105,122,160,207,322,326,473,474,475,476,477,478],"class_list":["post-4729","post","type-post","status-publish","format-standard","hentry","category-culture","tag-metropolregion-rhein-neckar","tag-wo-sonst","tag-la-mag","tag-metropolregion-rhein-neckar-en","tag-la-mag-en","tag-wo-sonst-en","tag-speyer","tag-speyer-en","tag-anselm-feuerbach","tag-hans-purrmann","tag-geburtshaeuser","tag-anselm-feuerbach-en","tag-geburtshaeuser-en","tag-hans-purrmann-en"],"acf":[],"yoast_head":"\nFrom humble beginnings come great painters - wo sonst<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wosonst.eu\/en\/from-humble-beginnings-come-great-painters\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"From humble beginnings come great painters - wo sonst\" \/>\n<meta property=\"og:description\" content=\"With regard to art history, there is nothing that connects Anselm Feuerbach with Hans Purrmann; with regard to their biographies, however, they have much in common. 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