{"id":31855,"date":"2022-06-17T08:30:00","date_gmt":"2022-06-17T06:30:00","guid":{"rendered":"https:\/\/wosonst.eu\/ein-haus-das-verbindet\/"},"modified":"2022-07-01T12:15:31","modified_gmt":"2022-07-01T10:15:31","slug":"a-bridging-house","status":"publish","type":"post","link":"https:\/\/wosonst.eu\/en\/a-bridging-house\/","title":{"rendered":"A bridging house"},"content":{"rendered":"\n

The Haus am Wehrsteg (house at the weir footbridge) in Heidelberg was once a transformer building. Afterwards, the weir keeper lived in it. Then, the artist Eva Vargas turned it into her studio \u201cuntil it will be torn down\u201d as it was said at the time. But this never happened. Since 2013, Matthis Bacht has brought new life to the brick building on the Neckar river\u2014and has made it a signpost, a meeting point for people and, above all, a place for art again.<\/strong><\/strong><\/p>\n\n\n\n

Like an island, the house emerges at the end of the path. Red bricks glow in the sun, surrounded by green countryside. The Neckar flows next to it, bridged by the weir footbridge. The path forks directly in front of the house. It\u2019s Sunday and people move along the Neckar Valley cycle path on foot or by bike on both sides of the house. A stylised bird on the fa\u00e7ade keeps watch over them. A family stops by the roses at the entrance. The father lifts his daughter so she can have a smell. Whenever people approach the house, their steps slow down. Many get off their bikes, too. They see the sign that says \u2018exhibition open\u2019 and some follow the arrow on it.<\/p>\n\n\n\n

\"\"<\/a>
What you can find here? Well, everyone will find something different here. But definitely art!<\/figcaption><\/figure>\n\n\n\n

The house at the weir footbridge makes you feel welcome. There is no entrance fee for the exhibition and the door is wide open. Matthis Bacht, artist and art teacher, gardener and leaseholder of the house, sits on a bench with an apple spritzer, nods to the visitors and shows them the way. The house is meant to be a place for everyone\u2014for artists and culture lovers, for people who come specifically to see the house and for those who pass by by chance. The art on display here does not follow a hierarchy either. Both renowned artists and school classes exhibit their works here. It is a place for all of them to meet.<\/p>\n\n\n\n

\"\"<\/a>
A life\u2019s work\u2014that\u2019s how Matthis Bacht thinks about his job as tenant of the Haus am Wehrsteg.<\/figcaption><\/figure>\n\n\n\n

Matthis has been the tenant of the former transformer building since 2013. And since then he has been connecting people and art. The Haus am Wehrsteg is a place for encounter\u2014between people and studio environments, the exhibition industry, the programmes of artists in residence and youth welfare work. Matthis cooperates with institutions from the region on a regular basis, for example with the Prinzhorn collection<\/a>. For the \u2018Au\u00dfenseiten\u2019 (Outsides) project, large comics were drawn on the walls of the building. And so the house remains an exhibition space even when it is closed.<\/p>\n\n\n\n\n\n\n\n

\u201cPeople come in here and say quite bluntly what they think of the exhibition. I think that\u2019s great,\u201d says Matthis and laughs. On this day, visitors drop in every now and then. Some stop shyly at the entrance. One woman reports that she has known the house for a while. From when Eva Vargas still lived there. Back then, however, the door was usually closed and the wall of the house barely visible behind bushes and trees.<\/p>\n\n\n\n

For me, this is a life’s work<\/p>Matthis Bacht<\/cite><\/blockquote>\n\n\n\n

Many visitors give Matthis little hints, insights into the history of the house. They worked with Eva Vargas or were involved in one of her school projects when they were young, for example. \u201cOnce a woman came by who had gone to school with the children of the weir keeper. That was really exciting.\u201d Suddenly, a part of the building came alive for Matthis that he had hardly known anything about before, because he has found little information in the archives so far. Even though he asked everywhere. At the land, waterway and shipping offices. \u201cThe house is kind of a blind spot in Heidelberg.\u201d<\/p>\n\n\n\n

\"\"<\/a>
After the Second World War, the brick house was the home of the weir keeper and his family.<\/figcaption><\/figure>\n\n\n\n

Matthis doesn\u2019t even know when exactly the house was completed. \u201cIt was built some time between 1925 and 1930.\u201d This is what he knows. But only because he discovered years engraved on some of the steel beams. A staircase leads to a hatch and the upper floor. This is where the artists who are regular guests work. Matthis uses it to do his drawings, too, especially in winter. He points to a small table, then to the coal-burning stove in the corner: \u201cThat makes it cosy here. I enjoy the peace and quiet during the hibernation period of the house.\u201d Ceramic insulators still peek out of the wall opposite. But has the house ever served as a transformer building? That, too, is uncertain.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

What is certain, is that the brick building with its garden and its tower was planned by the renowned architect Paul Bonatz, who is the designer of the main railway station in Stuttgart. He also designed barrages, bridges and weirs along the Neckar, when the river was turned into a canal. The house at the weir footbridge has an elder brother, too\u2014directly opposite, on the other side of the Neckar: the Tankturm <\/a>in the Bahnstadt district. These two buildings are related to each other by a bright ampersand sign: the \u2018&\u2019. It is a work by Matthis Bacht and Anna Heidenhain. The sign bends around the south-eastern corner of each building, linking not only two sides of one and the same cube, but also two buildings. This symbol makes you look and think outside the box. <\/p>\n\n\n\n

\"\"<\/a>
A unifying element: Ampersand by Matthis Bacht and Anna Heidenhain\u2014next to Eva Vargas\u2019 dove of peace.<\/figcaption><\/figure>\n\n\n\n

Matthis reads what the Haus am Wehrsteg used to look like from traces in the brick wall. \u201cHere, a window became a wall. And this wall became a door.\u201d Inside, the ceiling was lowered and the concrete floor is covered with chipboard. After the Second World War, an underground shelter was added and the approximately 100-square-metre building was divided into eight rooms to make way for the weir keeper and his family. Then, in 1972, Eva Vargas moved into the building. The artist is difficult to classify. She worked with music and text, with painting and action, with things that were thrown away and those that were washed up ashore. She used to dissect society with an alert eye and dark black humour. Actually, the city never planned to continue listing the house as a residential building, but tolerated Eva Vargas there \u201cuntil it will be torn down.\u201d She commented on this amendment to the rental agreement in writing: \u201cNow let\u2019s just hope that the excavators don\u2019t arrive as quickly as the day after tomorrow.\u201d<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

They never came. Eva worked and lived in the small house at the weir footbridge for 38 years. After her death in 2010, it initially stood empty. At the beginning of 2013, the city was looking for a new tenant. It had to be someone who would see the house as a place for art and keep the memory of Eva Vargas alive. Matthis had just arrived in Heidelberg at that time. Before that, he studied sculpture and art teaching at the D\u00fcsseldorf Art Academy and lived in Aachen for a while. Now he was returning to his hometown. \u201cI applied immediately.\u201d He had always known and liked the house and \u201cits island location at the crossroads, the proximity to the Neckar as well as the architecture.\u201d He did not know its former occupant personally. But her art, especially her poetry \u201creally moved me,\u201d he adds.<\/p>\n\n\n\n

\"\"<\/a>
Matthis Bacht in the garden that belongs to the house. Working in it is a welcome change for him.<\/figcaption><\/figure>\n\n\n\n

The jury decided in favour of Matthis. In June 2013, he faced the building for the first time as its new tenant\u2014and a lot of work. Which things are art? Which things are commodities? Which ones can be given away and what has to remain? What is growing in the garden? Where to put the dormouse that has taken up residence upstairs? \u201cIt took me six months to get an overview.\u201d He spent a year rebuilding and opened the house up\u2014inside and to the outside world. And he tamed the wild garden\u2014at least the part of it that should welcome visitors later on.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Behind the building, Matthis has created an idyllic place. A garden with small islands composed of plants and with splashes of red in the lush green environment, matching the brickwork well. His father has a Japanese garden and Matthis got his passion for gardening from him, as he explains: A silk tree grows next to a white spruce and a \u2018rice paper tree\u2019. In the garden, too, he likes to connect things and bringing plants into contact with each other that would probably not have met otherwise.<\/p>\n\n\n\n

\"\"<\/a>
The artist and tenant Matthis Bacht loves the interaction with visitors.<\/figcaption><\/figure>\n\n\n\n

The house is characterized by unexpected encounters, which always open up new perspectives. As is the case with the #EVA chapters, with which artists repeatedly deal with Vargas\u2019 work and find new perspectives on this fascinating woman. Yet she remains elusive. \u201cI suppose she\u2019d like that,\u201d Matthis thinks. And it goes well with the fact that she lived in a house that only gradually reveals its history. He still finds parts of her works sometimes\u2014parts of dolls, while gardening, for example. \u201cIt\u2019s a bit like working at an archaeological site,\u201d he says and laughs. This makes his job even more exciting: \u201cFor me, this is a life\u2019s work,\u201d he says, meaning both: filling the house with art and life\u2014and exploring its past.<\/p>\n\n\n\n

\n\n\n\n

www.hausamwehrsteg.info<\/a><\/p>\n\n\n\n

\u00d6ffnungszeiten: In den Sommermonaten Samstag und Sonntag von 12.00\u201317.00 Uhr, nach Vereinbarung sowie zu langen Wochenenden.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Das Haus am Wehrsteg in Heidelberg ist ein Ort f\u00fcr Kunst. Seit 2013 bringt der K\u00fcnstler und P\u00e4chter Matthis Bacht neues Leben in das Haus. <\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[122,196,207,999,1070,1185,1813,1814,1815],"class_list":["post-31855","post","type-post","status-publish","format-standard","hentry","category-culture","tag-metropolregion-rhein-neckar-en","tag-heidelberg-en","tag-wo-sonst-en","tag-sarah-weik-en","tag-christian-buck-en","tag-kuenstlerhaus-en","tag-haus-am-wehrsteg-en","tag-matthis-bacht-en","tag-eva-vargas-en"],"acf":[],"yoast_head":"\nA bridging house - wo sonst<\/title>\n<meta name=\"description\" content=\"Das Haus am Wehrsteg in Heidelberg ist ein Ort f\u00fcr Kunst. 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