{"id":29588,"date":"2021-12-31T08:30:00","date_gmt":"2021-12-31T07:30:00","guid":{"rendered":"https:\/\/wosonst.eu\/fuerstliches-musikerlebnis\/"},"modified":"2022-01-18T11:08:30","modified_gmt":"2022-01-18T10:08:30","slug":"princely-musics-in-the-air","status":"publish","type":"post","link":"https:\/\/wosonst.eu\/en\/princely-musics-in-the-air\/","title":{"rendered":"Princely music\u2019s in the air"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><strong>Music\u2019s in the air in Mannheim Palace! In the hall for courtly music, the heyday of the court orchestra of Prince-elector Charles Theodore comes to life again, presenting history and stories about music. Curator Dr Uta Coburger designed the room\u2014following the path of pieces of music throughout Europe.<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Even when there is silence, the Trabantensaal hall of Mannheim Palace is splendid: an oval space composed of elegant white wooden chairs and a pastel-coloured stucco ceiling, two large grandfather clocks and a chandelier floating in the middle, which generously pours its light across the entire room. Uta Coburger approaches one of the chairs and plugs a loudspeaker into the console. Just a moment later, music fills the hall: the G minor symphony by Anton Fils. It is a piece from the Mannheimer Schule period that you could have probably heard here some 300 years ago, played by a large orchestra with numerous string players that produced a great richness of tone.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"BorlabsCookie _brlbs-cb-youtube\"><div class=\"_brlbs-content-blocker\"> <div class=\"_brlbs-embed _brlbs-video-youtube\"> <img decoding=\"async\" class=\"_brlbs-thumbnail\" src=\"https:\/\/wosonst.eu\/wp-content\/plugins\/borlabs-cookie\/assets\/images\/cb-no-thumbnail.png\" alt=\"YouTube\"> <div class=\"_brlbs-caption\"> <p>Mit dem Laden des Videos akzeptieren Sie die Datenschutzerkl\u00e4rung von YouTube.<br><a href=\"https:\/\/policies.google.com\/privacy\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Mehr erfahren<\/a><\/p> <p><a class=\"_brlbs-btn _brlbs-icon-play-white\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Video laden<\/a><\/p> <p><label><input type=\"checkbox\" name=\"unblockAll\" value=\"1\" checked> <small>YouTube immer entsperren<\/small><\/label><\/p> <\/div> <\/div> <\/div><div class=\"borlabs-hide\" data-borlabs-cookie-type=\"content-blocker\" data-borlabs-cookie-id=\"youtube\"><script type=\"text\/template\">PGlmcmFtZSB0aXRsZT0iRsO8cnN0bGljaGVzIE11c2lrZXJsZWJuaXMgaW4gTWFubmhlaW0iIHdpZHRoPSI1MDAiIGhlaWdodD0iMjgxIiBzcmM9Imh0dHBzOi8vd3d3LnlvdXR1YmUtbm9jb29raWUuY29tL2VtYmVkL0toSUk2SjQ5ZS1RP2ZlYXR1cmU9b2VtYmVkIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImFjY2VsZXJvbWV0ZXI7IGF1dG9wbGF5OyBjbGlwYm9hcmQtd3JpdGU7IGVuY3J5cHRlZC1tZWRpYTsgZ3lyb3Njb3BlOyBwaWN0dXJlLWluLXBpY3R1cmU7IHdlYi1zaGFyZSIgcmVmZXJyZXJwb2xpY3k9InN0cmljdC1vcmlnaW4td2hlbi1jcm9zcy1vcmlnaW4iIGFsbG93ZnVsbHNjcmVlbj48L2lmcmFtZT4=<\/script><\/div><\/div>\n<\/div><figcaption><strong>In the hall for courtly music, the heyday of the court orchestra comes to life again<\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The music changes this room, making it even larger, more splendid, more radiant. Now the orchestra plays more quietly, more gently\u2014only to start swelling to full volume again in the next moment. \u201cThe famous \u2018Mannheim roller\u2019\u201d, Uta explains. \u201cIt was a typical stylistic element used by the Mannheimer Schule. What a prolonged crescendo! Impressive, isn\u2019t it?\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/039_hofmusik_web.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/039_hofmusik_web.jpg\" alt=\"\" class=\"wp-image-29107\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/039_hofmusik_web.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/039_hofmusik_web-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/039_hofmusik_web-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption> Even when there is silence, the Trabantensaal hall of Mannheim Palace is splendid.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Music has been given its own room in Mannheim Palace since March 2021. Prior to that, the celebrated court orchestra didn\u2019t appear much in the permanent display. Like the splendid period of Palatinate prince-electors in general, \u201calthough it was a period of major importance for the Mannheim Palace in Europe,\u201d Uta says. She has been curator for the State\u2019s Palaces and Gardens in Baden-W\u00fcrttemberg since 2017. She is in charge of the Palaces in Mannheim and Heidelberg and she is very familiar with the history of these monuments. In 1720, Prince-elector Charles Philipp laid the foundation stone for the baroque Palace that was to become one of the largest palaces in Europe. His successor Charles Theodore extended the building even further. The music enthusiast also promoted the arts, founded the Mannheim Academy of Sciences and turned the Palace as well as the summer residence in Schwetzingen into a European cultural hub attracting numerous artists, philosophers and musicians.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">\u201cUnfortunately, this period is difficult to picture,\u201d Uta explains, \u201cbecause hardly anything from the 18<sup>th<\/sup> century has been preserved.\u201d Later periods can be reconstructed more easily. Therefore, the rooms on the main floor of the Palace are equipped with 19<sup>th<\/sup> century fittings. \u201cIt was one of my major tasks to bring to life the heyday of Mannheim Palace for visitors when I began working here in 2017.\u201d For her it was a fulfilling challenge\u2014and an ideal transition from her previous place of employment.  <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>I wanted to create a place where you can relax<\/p><cite> Uta Coburger <\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Uta is an art historian and her specialty is the Baroque period. She is really fascinated by it because of its contradictions: its sumptuousness and pomp on the one hand and its pioneering inventions on the other. \u201cIt wasn\u2019t all just about pretty appearances,\u201d she says. Correspondingly, \u2018Just pretty appearances?\u2019 (\u2018Nur sch\u00f6ner Schein?\u2019) is the title of the exhibition she curated for the Reiss-Engelhorn-Museen (rem) museums in 2016. She was contracted by rem for nine years, the exhibition on Baroque being her last project assignment. \u201cThe curator job at the Palace was available exactly at that time. I wanted to stay around here and so I applied for it straight away. I was so happy that I was engaged\u201d\u2014and that she could keep working in the realm of the Baroque period.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/067_hofmusik_web.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/067_hofmusik_web.jpg\" alt=\"\" class=\"wp-image-29163\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/067_hofmusik_web.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/067_hofmusik_web-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/067_hofmusik_web-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption> Uta loves motivating other people for topics she is enthusiastic about. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">But how do you convey a period without having period equipment to exhibit? \u201cLuckily, I met Matthias Kohl. He is a master violinmaker from Heidelberg. He told me he had original instruments from the Baroque era.\u201d Uta was thrilled. She knew straight away she would make these pieces the core of her exhibition. \u201cI created the concept around the instruments.\u201d She was supported by Dr B\u00e4rbel Pelker, who had done extensive research on the court music of the Electoral Palatinate period at the Heidelberger Akademie.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/087_hofmusik_web.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/087_hofmusik_web.jpg\" alt=\"\" class=\"wp-image-29203\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/087_hofmusik_web.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/087_hofmusik_web-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/087_hofmusik_web-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption> Original instruments are the core of the exhibition.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Uta didn\u2019t want to design a typical museum room. \u201cI definitely wanted to create a place where you can sit down and relax for once,\u201d she says. The Space4 agency from Stuttgart implemented her concept in the Palace room. Each of the chairs is a different music station. \u201cIf you have little time, you can just walk through the room and read the texts on the music sheets,\u201d Uta explain. \u201cIf you have more time, you can grab headphones and learn something about a particular topic or person and their favourite music\u2014something new on each chair.\u201d Music expert B\u00e4rbel Pelker chose representative music for the stations and Uta went to find the recordings. \u201cIt was like a paper chase. For example, we discovered a particular recording in a music shop in Toulon\u2014and only there. And of all things, it was this record that got lost during mailing.\u201d It took very long to collect all music pieces and to sort out the copyright. \u201cBut it was well worth the effort.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized is-style-default\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/079_hofmusik_web.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/079_hofmusik_web.jpg\" alt=\"\" class=\"wp-image-29187\" width=\"840\" height=\"560\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/079_hofmusik_web.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/079_hofmusik_web-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/079_hofmusik_web-768x512.jpg 768w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><\/a><figcaption> Visitors can also dance through the exhibition&#8230;<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The carpet depicts dance notation leading visitors through the exhibition starting out with the significant sponsors: the prince-electors as well as Anna Maria Luisa de\u2019 Medici. She was the wife of Prince-elector Johann Wilhelm, Charles Philipp\u2019s elder brother. She laid down in her will that endowment funds be donated to the court music of the Electoral Palatinate annually. This was the beginning of a great story of success: Prince-elector Charles Theodore used the funds to create a unique system that would later become known in Europe as the Mannheimer Schule. Uta shows us the court orchestra chair. On the table next to it, a pile of stacked-up guilders explains the salary system. \u201cThe musicians and singers got paid very well,\u201d says the art historian. Particularly keen artists doing a lot of teaching or composing could make extra money. Talented students were granted generous scholarships. This way, the court orchestra of the Electoral Palatinate became one of the largest, best and most innovative ones in Europe in just a few years. Engagements were much sought-after. So much so, that there was none available even for Wolfgang Amadeus Mozart.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/096_hofmusik_web.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/096_hofmusik_web.jpg\" alt=\"\" class=\"wp-image-29221\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/096_hofmusik_web.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/096_hofmusik_web-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/096_hofmusik_web-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption> Mozart wanted to stay in Mannheim. But there was no engagement available, even for him <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThis find here was one of the most surprising discoveries I made,\u201d Uta says approaching a screen: \u201cToday it is natural that an orchestra uses bow strokes in a uniform manner. However, this wasn\u2019t the case until conductor Christian Cannabich introduced it Mannheim.\u201d Uta plays the video showing the court orchestra of the Electoral Palatinate bumpily playing a piece. \u201cIt took us a number of takes to get the scene right\u2014the group took pains to play it so wrongly,\u201d Uta laughs and plays the next video, on which you can see the orchestra\u2019s bows moving in unison\u2014and notice how they produce a fuller and more brilliant tone. \u201cFascinating, isn\u2019t it?\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><a href=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/073_hofmusik_web.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/073_hofmusik_web.jpg\" alt=\"\" class=\"wp-image-29175\" srcset=\"https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/073_hofmusik_web.jpg 1000w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/073_hofmusik_web-300x200.jpg 300w, https:\/\/wosonst.eu\/wp-content\/uploads\/2021\/12\/073_hofmusik_web-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption> Bows moving in unison. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">She loves motivating other people for topics she is enthusiastic about. This applies to the second major innovation implemented in Mannheim Palace as well\u2014a virtual exhibit: Visitors may explore the lost state bedroom of Prince-elector Charles Philipp via video and a virtual reality headset. \u201cWe have nothing but inventory lists from this period,\u201d Ute explains. So she and her team reconstructed the bedroom from fragmental information. This is another part she loves about her work\u2014doing research and rooting through history, because the past always has discoveries and surprises in store.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.schloss-mannheim.de\/erlebnis-schloss\/ausstellungen\/erlebnisraum-hofmusik\">www.schloss-mannheim.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Der Erlebnisraum f\u00fcr Hofmusik macht im Mannheimer Schloss die Glanzzeit der Hofkapelle unter Kurf\u00fcrst Carl Theodor lebendig.<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1490,1741,2059,2396,2050,1722],"tags":[121,122,207,859,999,1691,1692,1693,1694,1695,1696,1697,1698,1699],"class_list":["post-29588","post","type-post","status-publish","format-standard","hentry","category-history","category-hier-spielt-die-musik-en","category-of-castles-and-palaces","category-happy-birthday-kurfuerst-en","category-von-schloessern-und-burgen","category-hier-spielt-die-musik","tag-mannheim-en","tag-metropolregion-rhein-neckar-en","tag-wo-sonst-en","tag-schloss-en","tag-sarah-weik-en","tag-barockschloss-en","tag-hofmusik-en","tag-mozart-en","tag-carl-theodor-en","tag-kurfuerst-en","tag-uta-coburger-en","tag-sebatian-weindel-en","tag-court-orchestra","tag-mannheim-palace"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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