{"id":27406,"date":"2021-09-10T08:30:00","date_gmt":"2021-09-10T06:30:00","guid":{"rendered":"https:\/\/wosonst.eu\/wenn-licht-auf-beton-tanzt\/"},"modified":"2021-09-20T13:25:18","modified_gmt":"2021-09-20T11:25:18","slug":"wenn-licht-auf-beton-tanzt","status":"publish","type":"post","link":"https:\/\/wosonst.eu\/en\/wenn-licht-auf-beton-tanzt\/","title":{"rendered":"Where light dances on concrete"},"content":{"rendered":"\n

Contemporary dance in a church that is listed for preservation\u2014what may sound like a contradiction has turned out to be a stroke of luck for an entire section of town: With EinTanzHaus, director Daria Holme and her team have turned the Trinitatiskirche church in Mannheim back into a place where people are able to congregate together again. <\/strong><\/strong><\/p>\n\n\n\n

It has always been possible to dance in the Trinitatiskirche church in Mannheim. But for a long time the notion of dance used to be conveyed by colours only. The sun makes the notions shine and so they shimmer across the floor and the benches, on wood and on concrete. The colourful thick glass elements manage to change the atmosphere\u2014according to the time of day and the season, a cloudy as much as a sunny day. At 11 a.m., the vast and open interior of the church is aglow. At 4 p.m., the afternoon sun lights the concrete up with power and colour.<\/p>\n\n\n\n

\"\"<\/a>
A concrete picture-house: The Trinitatiskirche is aglow in the afternoon sun.<\/figcaption><\/figure>\n\n\n\n

Daria Holme well remembers the first time she entered the Trinitatiskirche church, back in 2015. She knew the building, of course\u2014she grew up in Mannheim. \u201cHowever, I never really noticed it. It seemed sealed, almost hermetically.\u201d She was really impressed when she saw which power these small glass faces in the interior actually possess. \u201cWe were standing there and suddenly everything matched up: our idea, the unique atmosphere here, light, dance.\u201d In fact, at that time, it was not at all clear, whether their idea would catch on, paving the way for Mannheim\u2019s Trinitatiskirche as a house for contemporary dance.<\/p>\n\n\n\n

\"\"<\/a>
Love at first light: Daria Holme, artistic and managing director of the EinTanzHaus.<\/figcaption><\/figure>\n\n\n\n

The G 4 square in Mannheim\u2019s city centre, where the former Trinitatiskirche church had been, was a pile of rubble after World War Two. Was there a need for reconstruction or for a new building? The parishioners entered into a long discussion with the result that Helmut Striffler was commissioned to design a new church that should be a modern building\u2014a new beginning. For the young architect, this was a chance to continue in Mannheim what he had started in Pforzheim as a site manager for Egon Eiermann\u2019s Matth\u00e4uskirche church. A construction with exposed concrete and glass, based on Gothic-style cathedrals with an elongated hexagon for a ground-plan and a free interior without any columns.<\/p>\n\n\n\n\n\n\n\n

The new Trinitatiskirche was recognized internationally and celebrated in architectural circles and it has been a cultural monument of special importance since 1995. The parish, however, never really warmed to the cool concrete building. They used it less and less and it became quiet around in the Trinitatiskirche. As a consequence, repurposing plans arose even while Helmut Striffler was still alive. But these plans all failed\u2014not least because of the architect\u2019s fierce resistance. In 2015, the church called a competition into life to find ideas for an interim use of the building.<\/p>\n\n\n\n

\u201eWir wollten von Anfang an ein offenes Haus.\u201c<\/p>Daria Holme<\/cite><\/blockquote>\n\n\n\n

Right at that time, Daria Holme and the choreographer \u00c9ric Trottier were on a tour across Mannheim in search of a place for their idea: finding space for contemporary dance. Daria studied in Amsterdam and worked as a freelance graphic artist and cultural concept developer\u2014first in the Netherlands, then in Karlsruhe and finally back in her hometown. Their initial idea was a mobile design, similar to the namesake \u201cEinraumhaus,\u201d which lends space to contemporary art in Mannheim. \u201cWe started off with lots of enthusiasm\u2014and naivety,\u201d Daria laughs. They soon realized that many conditions are imposed on projects with audiences, which dampened their enthusiasm. Then, they read about the ideas competition and thought: \u201cWhy not take a look?\u201d And right at her first visit she knew that the place would make the prefect space for the EinTanzHaus. \u201cIt provided so many elements already\u201d\u2014a location directly in the city, good accessibility, a large and free room to be the stage, the height, the extraordinary atmosphere. The draft concept they finally submitted in cooperation with Mireille Solomon, an architect from Mannheim, \u201ccame to us virtually by itself,\u201d Daria explains. \u201cIt felt just natural.\u201d Their concept finally succeeded. What had once been a stage for lights has now become a stage for dance.<\/p>\n\n\n\n

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The church was turned into the EinTanzHaus with as little intrusion as possible.<\/figcaption><\/figure>\n\n\n\n

Having a permanently installed location right in the city gave their idea a new notion: \u201cWe wanted it to be an open house from the beginning.\u201d The house was not to be a place that would open its doors on Friday evenings to a culturally interested community and would close them again after the weekend. \u201cWe rather wanted to create a meeting place for the neighbourhood. A place that would bring people together, no matter whether they come here for a particular event or not.\u201d Daria is sitting on a bench near the entrance while she says these sentences. The sun is shining and the smell of freshly baked pizza wafts up the stairs. The Salerno pizzeria has placed tables and chairs on the terrace in front of the church. \u201cIt is a real stroke of luck,\u201d Daria thinks about this neighbourhood: \u201cWe couldn\u2019t have even planed it the way it has become.\u201d A young couple rests in the shade on a stand around the large plane tree on the street corner. Their one-year-old daughter tiptoes over the wooden planks.<\/p>\n\n\n\n

\"\"<\/a>
A vivid place: The Trinitatiskirche right inside Mannheim\u2019s squares.<\/figcaption><\/figure>\n\n\n\n

The doors of the church are open almost all the time. Curious visitors can even watch rehearsals. \u201cPeople regularly turn up and tell us that they were baptized or married in this church and they are happy it was opened again,\u201d Daria says. Every now and again, groups of architects come for a visit to the building, whose repurposing concept won a number of prices. And on special occasions, the local parish uses the church for services again. Apart from events on weekends, the EinTanzHaus offers workshops and courses for amateurs, such as creative dance for children, break-dance or a dance festival for senior citizens. Today, the church hosts a group of adolescents, who warm up for the Contemporary Technique & Junior Training course. \u201cNever forget: There is no right or wrong. Find out the ways in which your bodies can move,\u201d is the advice given by dance teacher Jonas Frey, who also directs the Junior Dance Company, founded in 2018, together with Julie P\u00e9card.<\/p>\n\n\n\n

\"\"<\/a>
\u2018Shared Canvas\u2019 by Jonas Frey: walking, painting, standing, carrying, talking, dancing\u2014all of these are motion.<\/figcaption><\/figure>\n\n\n\n

\u201cContemporary dance is driven by the search of possible movements of the body and doesn\u2019t aim at finding perfect sequences,\u201d Daria explains. To her, dance primarily means motion. Both on stage and throughout everyday life. \u201cYou\u2019re actually in motion every time you cross a street, every time you make a gesture, every time you hug a person, or even, every time you talk to somebody. So, my understanding of dance is that of a thing that really connects people.\u201d And this is the exact way she wants to convey dance with the EinTanzHaus project.\u00a0<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

This interim use of the building was intended to be in place for an original three years only. In summer 2020, the period was extended by another three years. In her draft, architect Mireille Solomon was careful to intrude on the architecture of the church as little as possible. Technical equipment is stored on the gallery and the dressing-room is in the area of the altar. The pulpit, the font and the altar were built over for this purpose\u2014and are, at the same time, protected through this measure. All modifications can be easily reversed. The former church benches are now part of the stands and about six metre high metal scaffoldings surround the stage in the interior to fix lamps and black curtains. However, it never gets completely dark in this church\u2014neither completely quiet. Light and noise from the town always get through: bird\u2019s chatter, playing children, cars passing by. \u201cI think it\u2019s great,\u201d Daria says, \u201cthat everybody, who appears here, has to communicate with the church and with the town.\u201d It is a house that truly encourages encounter.<\/p>\n\n\n\n

\n\n\n\n

www.<\/em><\/a>eintanzhaus.de<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Contemporary dance in a church that is listed for preservation: The EinTanzHaus gives Mannheim\u2019s Trinitatiskirche church a new lease of life <\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[55,60],"tags":[121,122,150,207,999,1109,1603,1604,1605,1606,1607],"class_list":["post-27406","post","type-post","status-publish","format-standard","hentry","category-general","category-culture","tag-mannheim-en","tag-metropolregion-rhein-neckar-en","tag-architektur-en","tag-wo-sonst-en","tag-sarah-weik-en","tag-sebastian-weindel-en","tag-eintanzhaus-en","tag-daria-holme-en","tag-zeitgenoessischer-tanz-en","tag-trinitatiskirche-en","tag-striffler-en"],"acf":[],"yoast_head":"\nWhere light dances on concrete - wo sonst<\/title>\n<meta name=\"description\" content=\"Contemporary dance in a church that is listed for preservation: The EinTanzHaus gives Mannheim\u2019s Trinitatiskirche church a new lease of life\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wosonst.eu\/en\/wenn-licht-auf-beton-tanzt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Where light dances on concrete - 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