{"id":1740,"date":"2015-08-05T12:22:47","date_gmt":"2015-08-05T11:22:47","guid":{"rendered":"https:\/\/wosonst.eu\/en\/betontraeume-in-der-quadratestadt\/"},"modified":"2017-07-20T19:07:45","modified_gmt":"2017-07-20T18:07:45","slug":"dreams-made-of-concrete","status":"publish","type":"post","link":"https:\/\/wosonst.eu\/en\/dreams-made-of-concrete\/","title":{"rendered":"Dreams made of concrete"},"content":{"rendered":"

It is as if a UFO had landed between facades originating in the boom era at the late 19th<\/sup> century and post-war buildings. The Swiss architect Beat Consoni created an exposed concrete building for the publishing house Edition Panorama located in Mannheim that has now been honored by Baden-W\u00fcrttemberg\u2019s most important architectural prize \u2013 an honour also for the city of Mannheim and a destination for pilgrims of contemporary architecture. <\/strong><\/p>\n

Everyone has idols. And the name of Sebastian Wipfler\u2019s architectural idol is Beat Consoni. The Swiss architect\u2019s consequent usage of exposed concrete for his buildings impressed Sebastian Wipfler enormously when he was studying architecture. And after his graduation from university he knew it would be a big hit to have Beat Consoni design the new building for the family-run publishing house in Mannheim<\/p>\n

It was not hard to convince his father Bernhard, founder of the publishing house Edition Panorama, of Consoni\u2019s visionary ideas. Father and son were of one mind in believing that for the construction of a new building on a site in square Q7 an architectural solution of exceptional quality was in order \u2013 befitting the exclusive publishing programme comprising high-quality photography books and calendars by renowned photographers.<\/p>\n

<\/p>\n

So it happened that family Wipfler went to Switzerland for a first acquaintance with Beat Consoni \u2013 an inspiring first meeting for both sides with creative consequences. Impressed by the site owners\u2019 courage the busy architect highly decorated with international prizes accepted and right away started to plan. \u201cEven the first meetings were extremely fascinating,\u201d Bernhard Wipfler says remembering. \u201cHe presented us with a variety of very different designs until it dawned on us: It had to be two four-storeyed cubes. Front building and rear building combined by an open design courtyard.\u201d<\/p>\n

There was no question that exposed concrete would be the dominant structural element. \u201eWe liked the idea to place an exposed concrete building in between the historicising sandstone facades that would mark a starting point for a new path into the future,\u201d Sebastian says and his father Bernhard adds: \u201cOur building is also a manifestation of our commitment to the Filsbach district characterized by its multicultural flair. We are convinced that the future of our cities will be decided in urban quarters like this one.\u201d<\/p>\n

\u201eThe Hugo H\u00e4ring Prize for architecture is a very special honour for us.<\/em>\u201d<\/p>\n

Sebastian Wipfler<\/em><\/p><\/blockquote>\n

Baden-W\u00fcrttemberg\u2019s subgroup of the association of German architects (BDA) has recently come to a very favourable assessment of our new building granting it the most important architectural prize on the regional level \u2013 the coveted Hugo H\u00e4ring Prize which is awarded only once every three years. \u201cWe had assumed that we would be considered in the decision,\u201d Sebastian Wipfler says. \u201cBut to be among the best eight of almost a thousand nominated projects actually is a very special honour for us.\u201d<\/p>\n

 <\/p>\n

\"EP

Urban loft style: attic apartment in the rear building<\/p><\/div>\n

\u201cClear architecture reduced to its essentials, consequent usage of concrete and the elegantly inserted window areas, high rooms flooded with light and a courtyard with an ascetic appearance \u2013 these are the features that characterise the architectural complex,\u201d architectural expert Dr. Andreas Schenk from Mannheim says in his evaluation. \u201cNew and old elements meet and initiate an interaction based on tense interplay. In spite of its contrast to the historical buildings the new complex does not appear as an alien element.\u201d<\/p>\n

\u201eThis building is far from making advances; it rests in itself \u2013 naturally and self-confidently. It adds a new flavour to the quarter and yet has become a part of it.\u201d<\/p>\n

Dr. Andreas Schenk<\/em><\/p><\/blockquote>\n

Regardless of experts\u2019 enthusiastic opinions the building was perceived quite differently by some of the neighbours. \u201cWe were asked rather often when the building was to be painted or if we had run out of money before we could plaster it,\u201d Bernhard Wipfler remembers.<\/p>\n

By now, the publishing house is not the only building in the vicinity with a clear structural design and aesthetics set in concrete any more. In direct extension to square G7 at the end of the street Jungbuschstra\u00dfe the new building of the Creative Industries Center C-HUB has just been opened \u2013 designed by the architectural office Hartwig Schneider in Stuttgart. \u201cI think that this is a very positive and exciting development,\u201d says Bernhard Wipfler. \u201cThe C-HUB is another building block for urban design \u2013 and a lot of it reminds me of our own building.\u201d<\/p>\n

\"Hinterhaus\"<\/a>

Individual retreats: apartments in the rear building with artist\u2019s studio on the ground floor.<\/p><\/div>\n

In G7,14 \u2013 as the precise address is called \u2013 the building today offers not only room for 40 creative minds, but also serves as a gallery for artists published by Edition Panorama like the photographer Horst Hamann. In the rear building, apartments were realised. These have become inspiring residences for tenants appreciating the creative flair of the quarter with its galleries, restaurants, bars and individual shops. And Beat Consoni? \u201cMeanwhile, we have become close friends and see each other regularly,\u201d a pleased Sebastian Wipfler says, \u201cand we will meet him again very soon \u2013 at the Hugo H\u00e4ring Award Ceremony in October.\u201d<\/p>\n

\n

Edition Panorama
\nG7, 14
\n68159 Mannheim<\/p>\n

editionpanorama.de<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

It is as if a UFO had landed between facades originating in the boom era at the late 19th century and post-war buildings. The Swiss architect Beat Consoni created an exposed concrete building for the publishing house Edition Panorama located in Mannheim that has now been honored by Baden-W\u00fcrttemberg\u2019s most important architectural prize \u2013 an …<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[16,17,18,19,20,121,150,151,152,153],"class_list":["post-1740","post","type-post","status-publish","format-standard","hentry","category-culture","tag-mannheim","tag-edition-panorama","tag-architektur","tag-beat-consoni","tag-horst-hamann","tag-mannheim-en","tag-architektur-en","tag-beat-consoni-en","tag-edition-panorama-en","tag-horst-hamann-en"],"acf":[],"yoast_head":"\nDreams made of concrete - wo sonst<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wosonst.eu\/en\/dreams-made-of-concrete\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dreams made of concrete - wo sonst\" \/>\n<meta property=\"og:description\" content=\"It is as if a UFO had landed between facades originating in the boom era at the late 19th century and post-war buildings. 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